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book (design) story #590

frédéric ehrlich:
the new typography & modern layouts

chapman & hall, london, 1934
printer: de vinne-brown corp., new york
size: 31 x 24 cm
designer: frédéric ehrlich

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this 1934 book on modern typography and layouts is a great early testimony of how the european "new typography" movement influenced the u.s. graphic design and printing industry.

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frédéric ehrlich (dates?) was a teacher for commercial design at cooper union art school in new york.

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ehrlich explains how the "german version of russian revolutionary typography" – tschichold's "elementare typographie" and "neue typographie" – caused a stir among u.s. professionals: ...

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... while the tradionalists thought of it as "kindergarten" stuff, others adopted some stylilistic elements, however often without deeper understanding of the principles.

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ehrlich is positive about the later examples of asymmetrical balance.

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he points out the influence of modern (art deco) architecture on typography, ...

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... similar to philipp albinus in book 49, ...

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... while jan tschichold used to stress the influence of abstract painting.

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there are literally hundreds of examples ...

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... although reproduced rather small in b/w only.

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the section with layout sketches is very systematic in approach.

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