Olympic 5454

Close-up #39: 1932 Olympic SN 5454

These photos from an online auction listing (no affiliation) show a pretty wrecked old little guitar, with nasty cracks in top and rims. Nevertheless the instrument immediately caught my interest – not as a potential buyer, but as an Epiphone history nerd ... ;-)  

The view through the bass-side f-hole reveals the "silver oval label" typically seen on early Epiphone Masterbilt instruments – with the serial number stamped into the wood next to it: "5454" – a SN estimated to be from around the turn of 1931/1932. 

Oylmpic 5454

The headstock face is blank with no model info, however described to bear an Epiphone logo stamp on the back – as typically seen on low-end Epi models of the period such as the Olympic and Beverly Tenor.

Oylmpic 5454

Being a 6-string guitar suggests this must be an Olympic model – since the Beverly model was its 4-stringed low-end companion, as outlined in the 1932 catalog.

While the respective 1932 catalog page (pictured further down) describes the Olympic as a true "carved" archtop model, this guitar is different: The top is totally flat – as can be seen in the photo below!  All Olympics we documented in the past indeed appear to have a carved top – however: all of these have a SN significantly higher/later than 5454 ...

Oylmpic 5454

The mahogany back and sides fit the Olympic catalog blurb, and also the unradiused fretboard is common on Olympic models until c. 1933. In the photos, the black top finish looks old and weathered – but impossible to tell if factory-original.

While the pickguard is obviously a later replacement, the bridge looks original: These units with a two-foot base and a bone insert in the saddle part have survived on several of the earliest Masterbilt instruments from 1931–32.

Oylmpic 5454

The deep top cracks are not nice for sure – but they reveal another interesting detail: There is a horizontal brace across the top, just below the f-holes! Obviously this guitar is constructed using the ladder/H-bracing pattern seen on the earliest Masterbilts – with tops that were not "carved", but either "tension-arched" by braces (higher models), or flat (e.g. Beverly Tenor). The photo below shows this style bracing on another wrecked small-body Masterbilt guitar from the same period – SN 5431, likely a Melody Tenor (not absolutely sure because its neck is missing).

5431 Melody

Now, how do these findings fit together with the 1932 catalog specifying "carved tops" for the Olympic and all higher models?

Well, the 1932 Masterbilt catalog was compiled and published a good year after the launch of the first instruments – and by that time the specs of some models had undergone significant changes. For example, when looking closely at the model pictures we notice 3 different pickguard types/generations: As mentioned in our previous Close-up story, most instruments are depicted with a "Type 1" pickguard – suggesting that these pictures were already created in 1931. However there are notable exceptions: Interestingly, the Olympic is depicted with a 1932 "Type 2" pickguard and what looks like an arched top with sunburst finish. And the Blackstone is shown with the even later "Type 3" pickguard version that likely just came into use around the catalog's launch date.

Why then was the Olympic not shown with an earlier "Type 1" pickguard like most other models?

1932 catalog

My explanation: The earliest version of the Olympic possibly had different specs and looks – which prompted Epiphone to order new artwork for this model. (Footnote: The same applies to the Adelphi mandolin, see this Close-up story.)

Could it be that the original 1931 Olympic had a flat top, without sunburst?

Oylmpic 5454

And now a little surprise: Page 25 of the 1934 Epiphone catalog shows a picture labeled "Beverly" of a guitar with 6 strings – while the Beverly was always described as a 4-string model (and also shown as such in the 1932 catalog, page 14). A closer look reveals that this catalog illustration (see below) is obviously much older than 1934 – actually from 1931, as the "Type 1" pickguard suggests.

1934 catalog

Although this is somewhat speculative – I am pretty convinced: This 1934 catalog picture of a small, plain 6-string guitar with f-holes and a flat top may actually be the original 1931 artwork for the Olympic model – dropped/replaced in the 1932 catalog, but (mistakenly) recycled in 1934 for the Beverly ...!

We assume this image was produced for a 1931 Epiphone Masterbilt flyer/catalog that has not been documented so far (see catalogs). We will know when a copy will surface ... If you hear about such an early Epiphone brochure, please let us know!

(January 27, 2018)